THE CALDEIRÃO HIGHLANDERS, EXERCISES IN FICTIONAL ANTHROPOLOGY
Concept and Performance
Vera Mantero
Lighting design
Hugo Coelho e Vera Mantero
Video script and images
Vera Mantero
Video edition
Hugo Coelho e Vera Mantero
Video excerpts from Michel Giacometti’s complete film works:
Salir (Serra do Caldeirão), Cava da Manta (Coimbra), Dornelas (Coimbra), Teixoso (Covilhã), Manhouce (Viseu), Córdova de S. Pedro Paus (Viseu) and Portimão (Algarve)
Text excerpts from
Antonin Artaud, Eduardo Viveiros de Castro, Jacques Prévert and Vera Mantero
Artistic Residences
Centro de Experimentação Artística - Lugar Comum/Fábrica da Pólvora de Barcarena/Câmara Municipal de Oeiras and DeVIR/CaPA/Faro
Coproduction
DeVIR/CaPA
Production
O Rumo do Fumo
Acknowledgment
Editora Tradisom
A commission Encontros do DeVIR da DeVIR/CAPa/Faro
This work, created for the Encontros do Devir Festival, was developed around the process of desertification/dehumanisation of the Caldeirão Mountain, in the interior of Algarve (south of Portugal). One of the conditions of this commission was that I would have to record and use video images made on site. I did film at the mountain and I did incorporate images of mine in the piece but I mostly used Michel Giacometti’s films, especially the recordings of work songs.
The whole piece is peopled by voices that come from afar…
The sounds of the traditional “triangles” are used to reproduce the sound of silence, the sound of the earth. I reinterpret some of the songs brought to us by Giacometti and sing them to the workers I found on the mountain, reclaiming lost traditions, trying to re-enact them.
But it is not just the music that is here at stake, it is also the spoken Word and the Earth; the words of an Antonin Artaud in combustion, of a Prévert hammered in the way of sound poetry (his words on ruins combining perfectly with the images of ruins I found on the mountain). The piece sheds a look on Giacometti’s precious musical (re)collection, on traditional rural practices and livelihoods, on oral cultures from the north to the south of Portugal and also from other continents, such as the references to South American native tribes (revealingly the audiences believe them to be Caldeirão highlanders!) brought to the piece through the research of Eduardo Viveiros de Castro.
With this “broad picture” of the Caldeirão highlanders I address in this piece all the different people that possess a knowledge that we have lost, a knowledge on the link between body and spirit, between ordinary life and art. A knowledge that we can (and should, for our own good) retrieve. My dance at the end, with my precious cork trunk, is my tribute to this knowledge.
Vera Mantero