miguel pereira

MY NAME IS GEORGEANNE

Throughout my artistic career I’ve been always confronted with an inevitable contradiction: my time of gestation and creation – a time sometimes dilated sometimes intersected, unpredictable, guided by desires, impulses, by non-linearity and even by indiscipline – enters in constant collisions with the established time, a time too regulated and repetitive.

MIGUEL MEETS KARIMA

Hello Karima,

I'm sorry to give you news sooner but actually I just had a very rushed time with all these travels and works so close. I've been thinking a lot in our collaboration and the way things ends in Rio - for me at least - and I have a very weird sensation of it.

OP.49

Throughout my artistic career I’ve been always confronted with an inevitable contradiction: my time of gestation and creation – a time sometimes dilated sometimes intersected, unpredictable, guided by desires, impulses, by non-linearity and even by indiscipline – enters in constant collisions with the established time, a time too regulated and repetitive.

RESISTANCE SOLO

A performance/installation in which the dancer and choreographer Miguel Pereira exercises, over about 3 hours, the limits of physical and mental resistance.

The body needs to acts, the body needs to manifests, the body needs to thinks, the body needs to transform, the body needs to talk, the body needs to dance, the body needs, after all, to resist!

MIGUEL PEREIRA

Miguel Pereira attended Escola de Danc?a do Conservato?rio Nacional de Lisboa and Escola Superior de Danc?a de Lisboa.

Received a scholarship from the Portuguese Ministry of Culture to continue his studies in Paris (The?a?tre Contemporain de la Danse) and in New York.

As performer he worked, among others, with Francisco Camacho and Vera Mantero.

O RUMO DO FUMO