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WE ARE GOING TO MISS EVERYTHING WE DON'T NEED . 2009

WE ARE GOING TO MISS EVERYTHING WE DON'T NEED . 2009

WE ARE GOING TO MISS EVERYTHING WE DON'T NEED

 

Artistic direction

Vera Mantero

 

Performance and co-creation

Christophe Ives, Marcela Levi, Miguel Pereira and Vera Mantero

 

Dramaturgical collaboration

Rita Natálio

 

Space and costume design

Nadia Lauro

 

Props

the whole team

 

Music and sound design

Andrea Parkins

 

Light and technical direction

Erik Houllier

 

Production

O Rumo do Fumo

 

Co-production

Alkantara, Lisboa/Portugal; Culturgest, Lisboa/Portugal; Teatro de la Laboral-Ciudad de la Cultura, Gijón/Espanha; Kunsten Festival des Arts, Bruxelas/Bélgica; Festival Montpellier Danse 09, Montpellier/França

 

Co-production and residence

CNDC Angers, Angers/France; O Espaço do Tempo, Montemor-o-Novo/Portugal; PACT Zollverein, Essen/Germany

 

Residence and support

Les Brigittines, Brussels/Belgium; Centro Cultural Vila Flor, Guimarães/Portugal, Atelier Re.Al, Lisbon/Portugal

 

Support

Atelier Re.Al, Lisbon/Portugal

 

 

Etymologically, the word “object” contains the idea that an object is something that is placed before us, something that exists or is there to be seen.

We are going to miss everything we don’t need presents objects of the world. Between these objects and those who manipulate them a rebound effect happens, an unexpected unveiling of meaning(s). Between these objects, those who manipulate them and the spectator is created a triangle - a tension that pushes the boundaries of ideas and sensations, as symbols become vibrating forces.

Facing these objects, ideas are paths to other ideas and as on all paths, there are passages that widen, narrow and bifurcate. We can follow these pathways with different rhythms and patterns of breath, as if thoughts were shaped by the way they pulsate and clash. Objects of the world, in contact and short-circuiting, are on a path and exist somewhere between the material and the ethereal, the quotidian and the dreamlike, the generic and the exceptional. And it might be precisely in this rearrangement of our everyday world - this world of generic objects, production, consumption and waste - that we can touch another side of things.

 

Rita Natálio

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