NOTAS CURRICULARES
Nome ARTUR JOSÉ SEABRA DAVID FERNANDES
Data Nascimento 14 Novembro 1966
Cartão Cidadão 7369941
Morada R.
CV
Hugo Paquete (1979) Scientific Research Grant in Fundação para a Ciência e Tecnologia (FCT). Actually in the PHD: Music Sciences – Music as Culture and Cognition. Nova University of Lisbon (FCSH/NOVA). Master in Contemporary artistic Creation, Universidade de Aveiro (UA, 2014). Degree in Fine Art (ESAD.CR, 2010). Collaborator in the Research Center CESEM/ Centro de Estudos de Sociologia e Estética Musical. Nova University of Lisbon (UNL) and ID+ / Research Institute of Design, Media and Culture (UA and UP).
André de Mendonça Escoto Teodósio (b. 1977) attended Conservatório Nacional de Música, ESML and ESTC. He took part of the theatre company Casa Conveniente and collaborates regularly with Cão Solteiro. Besides the works developed with Teatro Praga, he directed several performances himself and wrote a number of plays.
Teatro Praga define themselves as a group or federation of artists, with a coat of arms and a history. When someone asks who they are, they usually propose a rephrasing of the question, since they are something different with every show or day that passes. Still, they rejoice with the established order and find the unpredictable variations of themselves to be a way of enlarging the concept of predictability.
Francisco Camacho is a choreographer and dancer living and working in Lisbon, who's work has been presented in several countries in Europe, South America, Africa, Asia and the U.S.A.
Carlota Lagido, Lisboa, 1965
Clara Andermatt began her formal training as a dancer with her mother Luna Andermatt. In the field of music she studied piano for ten years. In 1980 the London Studio Centre awarded her a scholarship where she studied for four years, graduating in 1984. She also obtained the Advanced Diploma from the Royal Academy of Dance, London.
She was a dancer with “Companhia de Dança de Lisboa” under the direction of Rui Horta from 1984 to 1988 and with “Compañía Metros” of Ramón Oller in Barcelona from 1989 to 1991.
Scott deLahunta has worked as writer, researcher and organiser on a range of international projects bringing performing arts with a focus on choreography into conjunction with other disciplines and practices.
