miguel pereira
NOTAS PARA UM ESPECTÁCULO INVISÍVEL
Miguel
24 DE JUNHO DE 2002, TEATRO DA COMUNA
O fio condutor deste meu novo projecto é o desenrolar de um pensamento à volta do espectáculo. O espectáculo que temos, que fazemos, que vemos, que pensamos, que queremos ver e que habitualmente nos é oferecido. É à procura de uma zona alternativa ao espaço imposto pela sua categorização, que busco novas possibilidades de comunicação, podendo ajustar a sua verdadeira função a novas questões, necessidades e urgências.
COSTUMES
“Like clothes, costumes are in first place something to dress - since nakedness in stage is not yet easily assumed although it is not anymore an aesthetical or ethical issue. The Body is always socialized through adornment or by the effects of disguise or occultation, and it is characterized by certain signs such as, age, gender, occupation or social status.
11TH SEPTEMBER 2007
'The full-tides, the volcanic eruptions, the towers that fall, the fires in the forests, the tunnels that collapse (…)! Awful! Terrible! Monstrous! Scandalous! But where is the scandal? The true scandal?
DOO
“I was born in Lourenço Marques (actual Maputo) in 1963, Mozambique, Africa. I lived there until I was 12. I danced for the first time in school during the period that the country was becoming independent. It was a revolutionary dance against the oppressive power of the Portuguese colonization.
ANTÓNIO MIGUEL
ANTÓNIO & MIGUEL
by António Tagliarini and Miguel Pereira
When we began to think about this creation, and before rehearsals started, we exchanged some impressions 1 trying to find out in which direction our desire to work together again could take us. ?Ten years ago we met and created a piece, 'Antonio Miguel', a solo done by two, a striking encounter for us personally and professionally.? 2
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